Writer: Da'Zhane Johnson
If you keep up with recent news, then you probably already know Halle Bailey has been
casted as Ariel in Disney’s live-action production of The Little Mermaid. The announcement
came as a shock to everyone. Most felt that the role was perfect, and others cringed with ignorant comments.
Since Bailey is one half of the singing duo, “Chloe x Halle,” her musical ability
wasn’t up for questioning. However, her race seemed to concern the nay-sayers. Bailey’s new
role is a win for anyone in support of colorblind casting, or casting that ignores ethnicity, race,
gender, sex, or body shape. On the contrary, the method of color conscious casting involves
emphasizing ethnicity and race, in order to establish more appreciation of a character’s identity and establish more accurate “cultural intricacies.” In simpler terms, white actors should be casted to play white characters, and actors of color should be casted to play characters of color. The debate of these casting methods led to a wondering question: where should the line be drawn for creative freedom in casting?
Ariel is famous for her pale skin and red hair, so it’s no clue which method Disney used.
It’s been reported that the casting team had a goal to make “contemporary and compelling
casting choices, while still paying homage to the beloved animated original,” and they did just
that. Nonetheless, colorblind casting has proved to have a bigger impact recently, especially for Disney. Beyoncé and Donald Glover were casted to play in the upcoming release of The Lion King, which was also received well by the public. Both the infamous films were previously
animated, which seemed to hold a factor as the public expressed their opinions as well.
Many people believe that the animations being produced into live-action films are opened
to a different level of production creativity. The characters are often mystical creatures who
haven’t been discovered in our real life, therefore, why not continue to enhance their mystical
abilities? But, animated or not a character should still portray a message and discuss modern
contents.
This idea of limiting production creativity is, ultimately, a push to limit cultural exposure.
Additionally, it all results back to representation. Overall, the need for diversity in films is not
just a question on creativity, but a question of social responsibility. As a child growing up, the
experiences of multiple cultures are essential. They provide meaningful lessons, knowledge, and a development of respect children must be exposed to. Disney has grasped their social
responsibility as a company and executed for several years. Characters like Mulan, Princess
Tiana, and Moana exhibit their drive for representation. By casting Bailey in the film as Ariel,
they not only are generating an inventive outlook on an old classic story but expanding the
boundaries of representation in society once again.
The question we should be asking is not about limiting creative freedom, but how
creative freedom can continue to build the same lessons, knowledge, and respect we’ve all
learned to have. Additionally, changes in theatre shouldn’t be feared but encouraged, as long as it sends the right message. Bailey’s role encourages another story for young black girls, while still opening another discussion of representation in Hollywood. For the most part, if you don’t agree with that message, then maybe you should actually start to ask questions that focus on a personal reflection instead of creative limitations.
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